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Home > Miscellaneous Articles > Art and Emotion

Art and Emotion

What makes good music or art? Undoubtably the ability to move one's emotions is a major factor. Some modern artists have taken this to lowest denominator and think that if they can move people to repulsion or anger than that makes it good art, but good art produces constructive emotion. Art, whether music, painting or any other form, has an emotional and a technical component. This is the ability of the artist, for example, to produce an image or particular notes on an instrument. People who have little contact with their emotional side fail to perceive the emotional in the art and in this regard they are like the colour-blind person I referred to in my article ('A colourless World'). However, people who can feel emotions may find that music by someone who is not so technically proficient is better than good technical music that lacks emotion. Similarly with paintings.

Much modern art is technically good but is totally lacking in emotion. The works of David Hockney are like this: emotionally cold, as is modern 'techno' music. Nowadays musicians are mass-produced according to a formula and any emotional nuances are disregarded. When the Egyptian singer Umm Kulthoum died in 1975 4 million people attended her funeral, such was the power of her voice to move people. How many of the mass-produced western singers would draw such a crowd?

Western media is controlled by a few companies who, generally, have a rigid attitude to the creative process. Movies follow a formula although when someone breaks the mould and produces something successful, all the movie companies then jump on this bandwagon. TV shows are given a few episodes to achieve success and if they don't get the ratings they are moved aside. The industry is formula driven. The wooden nature of these executives is illustrated by their attitude to on-line music and movies. Instead of embracing new technologies and using them for their advantage, they attempt to suppress them and use the law to support their Luddite attitudes.

© 2012 Philip Braham Writings